AVID OMNI INTERFACE

For Owners of Digi 001, 002, 003 Systems Pro Tools HD Software Native Thunderbolt Interface HD OMNI Interface

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AVID OMNI INTERFACE

The Pro Tools HD Native Thunderbolt Interface and HD OMNI Interface Bundle from Avid is a music and post-production core system that allows the professional to create complex, high-quality audio productions, using the full capabilities of Pro Tools HD software in a lower-cost, native solution. 

Pro Tools HD and HDX systems deliver both card based and computer based DSP but with an incremental increase in cost. With the Pro Tools HD Native system, a single PCI card handles the mixing and routing duties, with the rest of the DSP processing handled by the computer. Now Avid has taken the card and housed it in a Thunderbolt equipped chassis for enhanced portability when paired with a Thunderbolt equipped laptop computer. 

Pro Tools software has been the industry-standard digital audio production platform for years. Pro Tools HD 10 software tightly integrates the HD Native hardware and computer together as one, delivering performance and reliability, even with large mixes. It includes all the tools, advanced workflows, virtual instruments, and plug-ins needed to compose, record, edit, and mix music and/or sound for picture. 

The HD OMNI interface can be used to record instrument and vocal performances, while providing dedicated cue mixes for artists and monitoring their performance through a discrete mix. Overdub and Foley recording capabilities are available for post production, in addition to creating monitor mixes with up to 7.1 channels. 7.1 mixes can be folded down to almost any channel configuration subset required. 

For those occasions when the Pro Tools software doesn't need to be launched, or the computer turned on, the interface features a built-in, customizable, 14-input monitor mixer, allowing for the continued monitoring of external sources, such as keyboards, drum machines, and digital music players.

Note: Exchange is available for registered owners of Digi 001, 002 or 003 products. Original systems need to be registered with Avid and under the name of the user that is purchasing the HD Native TB system exchange.

Thunderbolt Native System
  • Harness the power of your desktop or laptop computer with a Thunderbolt interface
  • Low latency and high performance native digital audio workstation
  • Capture and play back audio with pristine clarity using a Pro Tools HD Series interface
  • Work with industry-standard Pro Tools HD software in a lower-cost solution for projects that don't require the DSP acceleration of Pro Tools HDX
  • Create bigger sessions with up to 256 audio tracks and up to 64 channels of I/O
  • Get the ideal tracking experience and set-and-forget direct monitoring with an integrated low-latency monitor mode
  • Boost your capabilities with advanced automation, surround mixing, input monitoring, AFL/PFL solo, destructive punch, and other professional features
  • Conveniently monitor every detail with the audiophile-grade headphone out, which provides enough gain to drive high impedance headphones
  • Use AAX Native and RTAS plug-ins, plus Automatic Delay Compensation on hardware and software inserts
  • Share sessions with Pro Tools HDX and Pro Tools HD users without any loss of data
  • Synchronize to Timecode and video reference, with frame-edge accuracy, when using SYNC HD (sold separately)
  • Take hands-on control over your mixes using Artist Series or Avid Pro Mixing consoles and control surfaces
  • Get total flexibility-work with Mac or Windows, Pro Tools HD or third-party software, and more
HD OMNI
  • 24-bit analog-to-digital (A/D) and digital-to-analog (D/A) converters, with support for sample rates up to 192 kHz
  • Two high-quality microphone/DI preamps
  • Two XLR and 1/4-inch TRS front panel combo inputs for microphone and instrument level input
  • Two XLR back panel microphone inputs
  • Two 1/4" TRS Send and two 1/4" TRS Return jacks for hardware inserts on channels 1 and 2 (back-panel)
  • Four analog 1/4" TRS line level back panel inputs (channels 1-4)
  • Soft Clip and Curv limiting circuits to protect against clipping on analog input
  • Eight channels of analog output using a DB-25 breakout cable (sold separately) with variable output gain
  • Two channels of analog output using 1/4" TRS jacks (mirrors channels 1-2 or 7-8 on DB-25 connector)
  • Front panel stereo 1/4" headphone jack
  • Route audio independently from Pro Tools with the 14-input persistent monitor mixer
  • Eight channels of AES/EBU output (up to 192 kHz Single Wire) using a DB-25 breakout cable (sold separately)
  • Two channels of AES/EBU XLR input (up to 192kHz Single Wire)
  • Two channels of S/PDIF RCA input and output (up to 192kHz)
  • Eight channels of ADAT TOSLink input and output
  • Support for ADAT S/MUX optical for sample rates of 88.2, 96, 176.4 and 192 kHz
  • Support for two channels of S/PDIF optical with sample rates of up to 96 kHz
  • Real-time sample rate conversion (SRC) on digital Inputs 1-2 of either AES/EBU, S/PDIF, or optical S/PDIF
  • Additional stereo "CUE" output path in Pro Tools for headphone monitoring from the front panel headphone jack
  • Front panel Control Room (MAIN/ALT) and headphone monitoring volume control
  • Flexible monitoring with fold-down from all stereo and surround formats (up to 7.1 surround)
  • Input mixer for low latency direct monitoring of a variety of incoming signals (configured in the Pro Tools Hardware Setup)
  • Loop Sync input and output for connecting additional Pro Tools HD interfaces and peripherals
  • External Clock input and output for synchronizing HD OMNI with external Wordclock devices

 

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